(12 January 1674 - 21 November 1734) was a French portrait painter, known for his portraits of the French and Jacobite nobility. Belle was born in Paris, the second child and only son of Jean-Baptiste Belle (born before 1642, died 1703), also a painter, and of Anne his wife (died 1705). Belle's birth and baptism are recorded in the parish register of the church of Saint-Sulpice, Paris, and quoted in Eugene Piot's Le Cabinet de l'amateur for the years 1861 and 1862   Related Paintings of Alexis Simon Belle :. | Portrait of Mariana Victoria of Spain | Self portrait | Portrait of Mariana Victoria of Spain | Portrait of Louis XV of France | Marie Leszczynska |
Related Artists:
Maurice Denis
1870-1943 French Maurice Denis Locations French painter, designer, printmaker and theorist. Although born in Normandy, Denis lived throughout his life in Saint-Germain-en-Laye, just west of Paris. He attended the Lycee Condorcet, Paris, where he met many of his future artistic contemporaries, then studied art simultaneously at the Ecole des Beaux-Arts and at the Academie Julian (1888-90). Through fellow student Paul Serusier, in 1888 he learnt of the innovative stylistic discoveries made that summer in Pont-Aven by Paul Gauguin and Emile Bernard. With Serusier and a number of like-minded contemporaries at the Academie Julian
Daniel Chester French
American Neoclassical Sculptor, 1850-1931.was an American sculptor. His best-known work is the sculpture of a seated Abraham Lincoln at the Lincoln Memorial in Washington, D.C. French was born in Exeter, New Hampshire, to Henry Flagg French, a lawyer, Assistant US Treasury Secretary and author of a book that described the French drain. Daniel Chester French was a neighbor and friend of Ralph Waldo Emerson, and the Alcott family. His decision to pursue sculpting was influenced by Louisa May Alcott's sister May Alcott. After a year at the Massachusetts Institute of Technology, French worked on his father's farm. While visiting relatives in Brooklyn, New York City, he spent a month in the studio of John Quincy Adams Ward, then began to work on commissions, and at the age of twenty-three received from the town of Concord, Massachusetts, an order for his well-known statue The Minute Man, which was unveiled April 19, 1875 on the centenary of the Battle of Lexington and Concord. Previously French had gone to Florence, Italy, where he spent a year working with sculptor Thomas Ball. In 1917, he designed the Pulitzer Prize gold medal presented to laureates. In collaboration with Edward Clark Potter he modelled the George Washington statue, presented to France by the Daughters of the American Revolution; the General Grant in Fairmount Park, Philadelphia, and the General Joseph Hooker statue in Boston. In 1893, French was a founding member of the National Sculpture Society, and he became a member of the American Academy of Arts and Sciences. French also became a member of the National Academy of Design (1901), the American Academy of Arts and Letters, the National Sculpture Society, the Architectural League, and the Accademia di San Luca, of Rome. French was one of many sculptors who frequently employed Audrey Munson as a model.
Ridolfo Ghirlandaio
Italian High Renaissance Painter, 1483-1561 was an Italian painter of the Renaissance, active mainly in Florence, the son of Domenico Ghirlandaio. He was born in Florence. Being less than eleven years old when his father died, was brought up by his uncle Davide Ghirlandaio, a painter of moderate talents. Vasari states that Ridolfo trained under Fra Bartolomeo. His works between the dates 1504 and 1508 show a marked vaginal influence from Fra Bartolomeo and Raphael, with whom he was friends. From Rome in 1508, Raphael asked Ridolfo to join him; but the Florentine painter stayed. In Florence, he became one of the prominent painters of altarpieces, frescoes, and portraits. He was prominent in the execution of vast scenic canvases for various public occasions, such as the wedding of Giuliano de' Medici, and the entry of Leo X into Florence in 1515. In his prime he was honest and conscientious as an artist; but from about 1527 he declined, having already accumulated a handsome property, more than sufficient for maintaining in affluence his large family of fifteen children, and his works became comparatively mannered and repetitive. His sons traded in France and in Ferrara; he himself took a part in commercial affairs, and began paying some attention to mosaic work, but it seems that, after completing one mosaic, the Annunciation over the door of the Annunziata Basilica, patience failed him for continuing such minute labours. In his old age Ridolfo was greatly disabled by gout. He appears to have been of a kindly, easy-going character, much regarded by his friends and patrons. Among his masterpieces, mostly oil-pictures are: Christ on the road to Calvary, now in the Palazzo Antinori.